3.994 file audio bebas royalti untuk "And This Is How It Ends"

Passamezzo moderno/"Gregory Walker" chord progression in C major, beginning with tonic chord in first inversion and continuing using minimal-change and "closest-packing" rules (minimizing each voice's change from previous note and keeping each chord's notes as close to each other as possible; resulting order of inversions is first-root-first-second/first-root-first-second-first)

Intro to "One Horse Open Sleigh".

Title Piano hits, uncontrolled Artist stephan Original mp3 data Length:0:32 minutes (625.04 KB) Format:MP3 Stereo 44kHz 160Kbps (CBR) User tags Chord, Clash, hitting, Piano Type Natural PDSounds record number 330 Comment Hitting the piano uncontrolled with the underarms. Sound consists of 4 hits.

Haydn String Quartet Op. 76 No. 3, second movement, bars 1-2

Thematic development in Hebrides Overture, with staccato articulation

Haydn Piano Sonata in C minor, first movement, bars 5-8

Corelli, Christmas Concerto, 2nd movement

c,d,e,f,g,a,h(b),c played on a piano

Klangbeispiel eines Mordents (musikalische Verzierung); Instument: Piano

Dorian mode in Bloch's Chanty from Poems of the Sea, mm. 1-8.

Subdominant parallel in C major. Created by Hyacinth (talk) 04:21, 1 May 2010 using Sibelius 5.

Italiano: Scala di do ionio. Vedi anche: :Immagine:C_Ionian.ogg

J. S. Bach Cantata BWV140, orchestral introduction to the opening chorus

A 1500 Hz tone broadcast by WWV, the radio station of the United States National Institute of Standards and Technology.

Gary Adams, File was created using Scala to convert a sequence file of the major intervals in equal temperament to midi. It was then converted to an ogg file.

Brahms Intermezzo Op 118 no. 4

Parsifal Prelude Opening

Piano Sonata Op, 31 No. 3, first movement

Minor version of the theme, with piano right hand elaborating the melody in triplets.

In seculum

Mahler Symphony 2 finale Fig 32, bars 4-10

Wagner Meistersinger Vorspiel bars 158-161

A Major Scale, Triads, and Fifths Just

From Schubert, "Erlkonig"

Schumann Prophet Bird from Waldszenen

Brahms Symphony No. 3, opening bars

J.S.Bach, concluding bars of the Fugue in C major from The Well Tempered Clavier, Book I, BWV 846

Contrapunctus VII from Bach's Art of Fugue

Brahms Violin Sonata in G, 1, bars 235ff

Siegfried's Horn Call E flat version

Haydn Symphony 82 1st movement bars 51-63

Leitmotif transformed in Hagen's Watch

Schumann, Kind im Einschlummern (Child falling asleep)

Final statement of the theme in a major key by the horns after the end of the cadenza.

Handel Hornpipe from Water Music

Haydn String Quartet Op. 76 No. 3, second movement, bars 80-81

Edi beo, English medieval "twinsong"

Handel Passacaille from Suite in G minor bars 1-4

Cascading arpeggios on celesta from Sugar Plum Fairy

A MIDI recording of the first two bars of Fugue in C Minor, BWV 847, by J.S. Bach.

Wagner, Tristan Prelude, closing bars

Erl King - arrangement by Liszt opening bars

A Major Scale, Triads, and Fifths Equal.

Tristan-motif

Schumann Piano Concerto Finale bars 120-127

Haydn Minuet from Quartet in D minor Op. 76

Canter rhythm depicted by the ride cymbal of a drum set whose bass and snare play boom-chick-chick in 3/4.

Greensleeves is an example of sectional binary form (the first phrase ends with the tonic). In the key of G, with E flat and F natural and sharp.

Klangbeispiel eines Pralltrillers (musikalische Verzierung), Beginn mit oberer Nebennote; Instument: Piano

Klangbeispiel eines Pralltrillers (musikalische Verzierung); Instument: Piano